Naomi Rincón Gallardo (1979). She lives and works between Mexico City and Oaxaca. From a decolonial feminist and queer perspective, her audiovisual work crafts narratives of desire and dissent against contemporary processes of dispossession and heteropatriarchal violence in neocolonial contexts. Naomi Rincón Gallardo integrates into her mythical-political practice her interests in speculative fiction, music videos, theatrical games, and the manual crafting of props and costumes. She holds a doctorate from the Academy of Fine Arts in Vienna (PhD in Practice Program).

Among her most recent exhibitions and performative projections are Artes Mundi 10, Chapter, Cardiff (2023), Momenta Biennale de l’image, Montreal (2023), The Tzitzimime Trilogy (solo exhibition), La Casa Encendida, Madrid (2023), the 59th International Art Exhibition of the Venice Biennale (2022), the 34th São Paulo Biennial (2021), A Trilogy of Caves (solo exhibition), Museum of Contemporary Art, Oaxaca (2020), May your thunder break the sky (solo exhibition), Kunstraum Innsbruck, 11th Berlin Biennale (2020), Heavy Blood (solo exhibition), Experimental Museum El Eco, Mexico City (2019), Tlacuache Resilience (solo exhibition), Parallel, Oaxaca (2019), Stone Telling (group exhibition), Kunstraum Niederösterreich, Vienna (2019), On All Fours (performative projection), Pacific Standard Time: LA/LA, The Broad Museum, Los Angeles (2018), Prometheus. Four Artists from Mexico Revisit Orozco (group exhibition), Pomona College Museum of Art, Los Angeles (2018), FEMSA Biennial. We have Never been Contemporary, Zacatecas (2018), The Formaldehyde Trip (performative projection), Performance in Progress. SFMOMA, San Francisco (2017), Odarodle. An imaginary their_story of naturepeoples, 1535-2017 (group exhibition), Schwules Museum, Berlin (2017), and Nicaragua Biennial, Managua (2016).